Angela Ferraiolo’s movie “Subway” is playing as part of the Views from the Avant-Garde slate of the New York Film Festival.
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IMA alumna Pam Sporn screening her work at AfroLatin@ Film Series
IMA alumna Pam Sporn screening her work at AfroLatin@ Film Series
Oct. 7th: free screenings of films about the AfroLatin@ experience. The film series is a lead up to the AfroLatin@s Now! Conference to be held Nov. 3-5 in NYC.
HOLLYWOOD IN MOSCOW
Co-Sponsored by the Film and Media Studies Depart and Russian Area Studies
HOLLYWOOD IN MOSCOW
American and Soviet film of the 1930s-1940s
Video presentation by Dr. Vladimir Paperny of work-in-progress.
Tuesday, October 4, 2011, 7PM
Hunter North, 5th Floor, Room HN510
The 1930s was the time when motion pictures in both countries started to create national mythologies – the American Dream in one case, and the Communist Dream in the other. In the new social reality, movies had to talk to masses. A new type of cinematographic narration was developed. A narration based on storytelling replaced a narration based on montage. In America, the objective was mostly commercial. In Russia, it was mostly political. Very often, the results were almost identical. Some of the films studied are listed below.