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Profs. Kelly Anderson, Marty Lucas, and Mick Hurbis-Cherrier’s book

Cover of the text book Documentary Voice and VisionCongrats to Profs. Kelly Anderson, Marty Lucas, and Mick Hurbis-Cherrier’s on their new book! The publication of their documentary filmmaking textbook Documentary Voice & Vision: A Creative Approach to Non-Fiction Media Production (Focal Press, 2016).

Documentary Voice & Vision is designed to give introductory and intermediate students a comprehensive look at the art, craft, technology, and process of non-fiction filmmaking. This book touches on just about every aspect of this field, including: story ideation and development; fundraising strategies; essential cinematic concepts and language; production technologies, protocols, and safety; visual and audio aesthetics; documentary genres and ethics, post-production concepts, workflow and best practices.

 

F&M alumna Veralyn Williams honored at Miscast Gala

Veralyn Williams

Film & Media alumna Veralyn Williams received an award at the MCC Theater’s annual Miscast Gala on Monday, April 4th. Williams, along with Dominique Thorne, were honored with the 2016 Youth Company Alumni Awards. Williams is an alumna of the Youth Company, a program for high school students that teaches writing and acting that is held in the MCC Theater. The award highlights Youth Company alumni that have sprouted successful careers after learning at the program.

The Miscast Gala, which hosted the ceremony, is a night of ceremony and performance featuring Broadway actors performing portions of theatrical productions that they wouldn’t normally perform. The event took place at the Hammerstein Ballroom.
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Prof. Lucas’ film screening & discussion at Union Docs

Still photo of the main title of the filmProf. Marty Lucas’ film Hiroshima Bound will have its first screening in the New York area at Union Docs in Williamsburg on March 24th at 7:30PM.

The screening will be followed by a discussion with Prof. Reiko Tahara and IMAer Jason Fox. Hiroshima Bound is an hour-long personal interrogation of the traumatic mix of memory and amnesia that constitutes America’s understanding of the bombings of Hiroshima and Nagasaki, built from a mix of re-examined archival material, personal meditation and testimony, and visits to sites including The Lawrence Radiation Laboratory at Berkeley, White Sands Missile Proving Grounds, and the International Center of Photography in New York.
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