IMA alumna Pam Sporn screening her work at AfroLatin@ Film Series
Oct. 7th: free screenings of films about the AfroLatin@ experience. The film series is a lead up to the AfroLatin@s Now! Conference to be held Nov. 3-5 in NYC.
IMA alumna Pam Sporn screening her work at AfroLatin@ Film Series
Oct. 7th: free screenings of films about the AfroLatin@ experience. The film series is a lead up to the AfroLatin@s Now! Conference to be held Nov. 3-5 in NYC.
Co-Sponsored by the Film and Media Studies Depart and Russian Area Studies
HOLLYWOOD IN MOSCOW
American and Soviet film of the 1930s-1940s
Video presentation by Dr. Vladimir Paperny of work-in-progress.
Tuesday, October 4, 2011, 7PM
Hunter North, 5th Floor, Room HN510
The 1930s was the time when motion pictures in both countries started to create national mythologies – the American Dream in one case, and the Communist Dream in the other. In the new social reality, movies had to talk to masses. A new type of cinematographic narration was developed. A narration based on storytelling replaced a narration based on montage. In America, the objective was mostly commercial. In Russia, it was mostly political. Very often, the results were almost identical. Some of the films studied are listed below.
IMA students Iva and Martyna share insights into the formation of a new social movement as it is still taking shape in real time. The video was shot during the 5th and 6th day of the occupation. Their work is featured in the article “Nobody Can Predict The Moment of Revolution” – Filmmaker: The Magazine of Independent Film
Nobody Can Predict The Moment Of Revolution ( Occupy Wall Street )